Download on the App Store
Live color. Total control.

Professional
Live Grade
for iPad

The only iPad live-grade workflow that drives your LUT boxes directly over the set network — no laptop in the cart.

  • Direct control of BoxIO and DM monitors over the network
  • Several LUT boxes at once, grouped and ganged
  • Zero-latency monitoring
  • Built for DITs and colorists
  • On-set. On location. In real time.
Download on the App Store15-day free trial, no credit card
21:05  Sat Jul 11100%
01INPUT02PRIMARY03LOG04CURVES05SECND06LUT07OUTPUT
PRIMARYSAT1.00↺◐ Fine mode
LIFT
0.000.000.00
GAMMA
0.000.000.00
GAIN
0.000.000.00
EXPOSURE0.00
TEMP5600K
CURVE
CONTRAST1.00
TINT+0
Seen on set.

Not a mockup. A working cart.

An iPad on the stand under a Flanders Scientific DM160, grading live while the camera rolls. Photos from four shoots around Madrid, October 2026: a park, a tent, an office plaza at dawn and by day.

Dawn on an office plaza: a Flanders Scientific DM160 over two iPads, camera control on the left and GRADE on the right, with a Preston hand unit and a crane behind
The whole DIT corner on a city square: camera cart with tape rolls, the DM160 and iPad on a stand, and the Pelican case on the ground
Close-up of the iPad on the stand tray running GRADE fine-adjust color wheels, with the wireless receiver above and a mouse beside it
GRADE on an iPad under a DM160 showing two camera feeds, on a stand in a DIT tent in a park
Morning on a city square: the DM160 over the iPad running GRADE color wheels, a mouse on the tray, the flight case and the camera cart beside the stand
Inside the tent: DM160 on top, an iPad mini with camera control and an iPhone running GRADE color wheels underneath
Morning on set: the DM160 and the iPad with GRADE between the camera cart and the director chairs, crew setting up behind
The DIT in the tent grading on an iPhone with GRADE, the camera monitor beside it
Direct. Wireless. Real time.

Direct live grade for BoxIO and DM monitors, over the set network.

iPad + Grade connects directly to ARRI cameras, BoxIO and DM monitors over Wi-Fi — even inside the camera itself, no extra hardware.

Zero cables. Zero delay.
Total creative freedom.

1. iPad + GradeCreate & adjust live looks
2. Wi-FiLive control
Zero latency
3. ARRI CameraIn-camera live grade — coming
4. BoxIODirect Wi-Fi control
5. DM MonitorDM monitors include direct live-grade capability.
Supported hardware. Direct control.

ARRI Cameras Coming

Live grade directly inside the camera — no extra hardware.

Grade speaks ARRI's Camera Access Protocol over Wi-Fi or Ethernet: live CDL and look control in-camera. Built and in validation against a production body — it switches on in a coming release.

  • Live CDL
  • Wi-Fi Control
  • 3D LUT
  • Look Upload

BoxIO

Compact wireless LUT box with SDI I/O.

Control LUTs, looks, and BoxIO settings directly from Grade over Wi-Fi.

  • SDI In/Out
  • Wi-Fi Control
  • 3D LUT
  • On-set Ready

DM-series Monitor

Reference-grade on-set monitoring with SDI/HDMI input, color accuracy, and direct live-grade capability over Wi-Fi.

  • Accurate Color
  • HDR Support
  • Waveform
  • 3D LUT
This is just the beginning.

A growing catalog of cameras and LUT boxes.

Grade is built device-agnostic from the ground up. New cameras and LUT boxes are coming — one color engine, more hardware every release.

Cameras

  • ARRI ALEXA 35Soon
  • ARRI ALEXA Mini LFSoon
  • Sony VENICESoon
  • Sony BURANOSoon
  • RED V-RaptorSoon
  • RED KOMODO-XSoon
  • Blackmagic URSA CineSoon

LUT Boxes & Monitors

  • FSI BoxIOLive
  • FSI DM-seriesLive
  • AJA ColorBoxSoon
  • Teradek COLRSoon
  • Blackmagic VideohubSoon
  • Fujifilm IS-miniSoon

Using hardware we don't support yet? Tell us what you shoot on.

Powerful features. Built for filmmakers.

Real-Time Color Grading

Adjust lift, gamma, gain, curves and more with zero latency.

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Advanced Scopes

Waveform, vectorscope, parade, RGB, histogram and more.

Wireless Hardware Control

Push the grade to several BoxIO and DM monitors at once, over the set network.

Look Management

Create, save and organize looks. Apply instantly.

  • Teal & Orange☆⊖
  • Tungsten Warm☆⊖
  • Vintage Film☆⊖
  • Forest Green☆⊖
  • Neo Noir☆⊖
  • Sunset Drive☆⊖
Any LUT. Any camera. Any grading suite.

Whatever the colourist, the rental house or the post facility hands you, it loads. Whatever they need back, it exports. Every LUT you import lands in your library as a.cube, so it syncs to the cloud and into Resolve unchanged.

Import

  • .cube
    DaVinci Resolve, Pomfort Livegrade, Silverstack, Teradek, Sony, RED, Blackmagic1D, 3D or shaper + 3D, any mesh size, custom input domain
  • .3dl
    Autodesk Flame, Lustre, Baselight10 / 12 / 16-bit
  • .csp
    cineSpace, Nuke, Scratchpre-LUT shapers folded in
  • .spi3d
    Sony Pictures Imageworks, OpenColorIO
  • .vlt
    Panasonic VariCam
  • .clf
    Common LUT FormatACES LMTs land in your log working space; matrices, 1D/3D LUTs, Log, Range, Exponent and CDL operators
  • .amf
    ACES Metadata Filethe looks it names, CLF or CDL, including a CDL in ACEScct
  • .alf4
    ARRI ALEXA 35 look
  • .alf4c
    ARRI ALEXA 35 look containerCMT + DRT from ARRI Look Builder or Livegrade, chained for you
  • .aml
    ARRI ALF-2 lookALEXA Mini, Mini LF, AMIRA, SXT
  • .cc .cdl .ccc
    ASC CDLsingle corrections or whole collections, straight into your looks
  • .ale
    Avid Log Exchangeone look per clip from the ASC_SOP / ASC_SAT columns, as Silverstack and Resolve write them

Export

  • .cube
    DaVinci Resolve, Pomfort, LUT boxes, Sony, RED
  • .3dl
    Autodesk Flame, Lustre, Baselight
  • .cc .cdl
    ASC CDL per look
  • .ccc
    ASC CDL collection of the whole look library
  • .alf4
    ARRI ALEXA 35 lookfull look, or CDL only
  • .aml
    ARRI ALF-2 lookALEXA Mini, Mini LF, AMIRA
  • .amf + .clf
    ACES look (LMT)the camera IDT, the look as a Common LUT Format transform and the Rec.709 output, validated against OpenColorIO
  • .ale
    Avid Log Exchangestills and looks with ASC_SOP / ASC_SAT per clip, for Avid, Resolve and Scratch
  • .drx + .cube
    DaVinci Resolve gallery stillsthrough GradeSync, with the CDL and the LUT on their own nodes

Looks also go straight to the hardware over the set network: LUTs into BoxIO and Flanders DM monitors and Teradek COLR, live CDL and look upload into ARRI cameras as that switches on. No file in between.

DaVinci Resolve, in sync.

The look you built on set is already in Resolve.

GradeSync is a small menu bar app for the Mac. Mark a look Send to DaVincion the iPad and the .cube lands in Resolve's LUT folder on the colorist's Mac, named and ready to use. Export a grade from Resolve with Send to GRADE and it shows up on the iPad. Same GRADE account, nothing to configure.

  • Looks and LUTs from the iPad appear in Resolve's LUT list
  • Grades from Resolve come back to the iPad as LUTs
  • Runs in the background, next to the clock
Download for MacFree · macOS 14 or later · Apple silicon
Simple workflow. Direct connections.
1. iPad + Grade
Create and adjust
your live grade.
2. Wi-FiDirect wireless connection.
Zero cables. Zero delay.
3. ARRI CameraLive grade directly in-camera.
No extra hardware.
4. BoxIODirect Wi-Fi control.
Push looks in real time.
5. DM MonitorDirect Wi-Fi control. DM monitors include direct live-grade capability.

Grade. Live Color.
Direct. Powerful. Beautiful.

Start your 15-day free trial today.

Download on the App Store
Compatible with iPadOS 17.0 or later.